The suite’s nautical theme pays homage to its Rhode Island setting, though Hayward Gatch and the Royce family avoided theming the space. For inspiration, the architect looked to the film 20,000 Leagues Under the Sea, based on the novel by Jules Verne.
The suite’s nautical theme pays homage to its Rhode Island setting, though Hayward Gatch and the Royce family avoided theming the space. For inspiration, the architect looked to the film 20,000 Leagues Under the Sea, based on the novel by Jules Verne.
Ocean House’s Morgan Suite
Ocean House’s Morgan Suite
“We wanted it to resemble a fine marine museum with a Jules Verne feel,” Gatch explains. “My idea was to create a fine yacht interior of yesteryear—more like a stateroom in a steam ship.”
“We wanted it to resemble a fine marine museum with a Jules Verne feel,” Gatch explains. “My idea was to create a fine yacht interior of yesteryear—more like a stateroom in a steam ship.”
Ocean House’s Morgan Suite
Ocean House’s Morgan Suite
The Morgan suite began as two separate units, with one located directly a floor above the other before Gatch joined the units with a staircase.
The Morgan suite began as two separate units, with one located directly a floor above the other before Gatch joined the units with a staircase.
Ocean House’s Morgan Suite
Ocean House’s Morgan Suite
The lower level’s kitchen was retained in the redesign to accommodate the needs of an extended family.
The lower level’s kitchen was retained in the redesign to accommodate the needs of an extended family.
Ocean House’s Morgan Suite
Ocean House’s Morgan Suite
Only new wainscoting, flooring, and small appointments were made to the bedrooms.
Only new wainscoting, flooring, and small appointments were made to the bedrooms.
Ocean House’s Morgan Suite
Ocean House’s Morgan Suite
Gatch installed three artificial backlit skylights sheathed in frosted glass with a wire mesh behind, along with backlit, crosshatch teak gratings layered in glass on the staircase and in the dining room, living room, master bedroom, and living room to give the illusion of being between decks on a ship.
Gatch installed three artificial backlit skylights sheathed in frosted glass with a wire mesh behind, along with backlit, crosshatch teak gratings layered in glass on the staircase and in the dining room, living room, master bedroom, and living room to give the illusion of being between decks on a ship.
Ocean House’s Morgan Suite
Ocean House’s Morgan Suite
The kitchen’s highlight is a black and brass stove featuring a black hood with gilded gold trim. Custom tiles along the backsplash depict native fish. “When I design a kitchen, I always feel that it should be an attractive room you just happen to cook in,” says Gatch.
The kitchen’s highlight is a black and brass stove featuring a black hood with gilded gold trim. Custom tiles along the backsplash depict native fish. “When I design a kitchen, I always feel that it should be an attractive room you just happen to cook in,” says Gatch.
Ocean House’s Morgan Suite
Ocean House’s Morgan Suite
Hidden portholes, such as one in the powder room medicine cabinet looking out to the ocean, create a sense of intrigue. “It’s all about fantasy—we’re in the good times business,” says Gatch. “We want to give people an experience they’re willing to come back for.”
Hidden portholes, such as one in the powder room medicine cabinet looking out to the ocean, create a sense of intrigue. “It’s all about fantasy—we’re in the good times business,” says Gatch. “We want to give people an experience they’re willing to come back for.”