Alexandra Champalimaud Dahlia for the Rug Company evokes the flower form in soft colors. The rug is handmade by weavers in Kathmandu using natural yarns—the hand knotted Tibetan wool is known for its softness and durability, while the fine silk brings a delicate luster.

The geometry of the inner loop of Imba—designed by Federica Capitani for Moroso—is a closed woven pattern for a comfortable seat and backrest. The external loop wrapped around the seat creates a space frame for a semi-open weaving. The structure is made in varnished steel with colored patterns created with different strands of polyethylene.
Photography by Alessandro Paderni

Hella Jongerius’ handwoven Cocoon rug, available through Danskina, is made of wool and cotton. Soft knots in irregular clusters, accentuated by a generous border, bring unexpected dimension to the classic woven form, while long, pure wool yarn has been spun from two colors in contrasting colors or calmer tone-on-tone combinations. The rug is felted for a smooth texture.

Inga Sempé’s fondness for clamp lamps, which attach to the socket of an incandescent bulb with a cone shade that slides on the bulb to direct the light, inspired the w153 Île from Wästberg. The multipurpose lamp has a flat base that allows it to stand on a flat surface, and it can also be mounted on the wall.

Crafted from oil-rubbed bronze with gray globes, the Branching chandelier from Lindsey Adelman Studio is inspired by natural phenomena. The design explores the visual tension that results from mixing handmade forms with precise, machined components.

Iso designed by Marie Christine Dorner for Ligne Roset is made with an upholstered seat and backrest crafted from solid ash, tinted natural or black, bracketed by plywood. The accompanying Koya workspace has a natural or anthracite stained solid ash frame, with a work surface and shelves in matching ash veneer. Four textile screens predefined by the designer are also available.

Patricia Urquiola alongside graphic designer Federico Pepe created the Credenza collection, which includes cabinets, screens, and a table for Spazio Pontaccio. Inspired by the windows of holy sites, the front of the cabinet features blue, red, and yellow stained glass doors in diagonal and triangular patterns.

The majestic Vadim wall lamp from Maison Sarah Lavoine sports a glass body that contrasts with its black painted steel rod. Suspended in the air, the perforated gilt cage emits a soft light and projects graphic reflections on the walls. When the cage is stained, the depth of its color will be enhanced by a chiaroscuro effect.

Joanne Stone and Liubasha Rose of Stone & Rose created a lighting collection (with the Jagged sconce and pendant) using quartz crystals, which resonate energy, while the brass collection (comprising the Birch Bark Drum, Drape and Melted tables) embraces the natural ancient material for modern, yet timeless pieces.

Damaris&Marc’s Dauviné by GAN is inspired by sound’s harmonic patterns. Its contours are irregular and expansive, while the internal patterns evolve from one another like the sound waves would. The organic ornamentation and a neutral color palette create a visual balance.

Kelly Hoppen collaborates with Resource Decor on a 100-piece furniture collection inspired by her life, travels, antiques, and London home. The Diaz Credenza’s acacia wood frame includes a veneer Okoume panel, glass top, stainless steel handle and feet, with drawers and cabinets in pastel pink.