Sancal’s sophisticated Totem barstool boasts a clean design from Spanish firm Sylvain Willenz. Its sculptural forms contribute to the graphic silhouette, transcending its function as a seat to become a decorative object.

Following a study of the ergonomics of the seat, Baleri Italia and collaborators Claesson Koivisto Rune Architectural Studio added two upholstered elements to the Bermuda chair: the extra large removable seat cushion and the soft back and removable triangular cushion.

Instrmnt Applied Design’s pair of midcentury-inspired chairs in American walnut or Scottish oak are built by hand. A small removable plinth extends the lefthand stainless steel arm with a beveled hardwood top large enough for a coffee cup or a book.

Celebrating European design and its artisans, Shelby Williams’ curated Ballerina, part of the Bellarosa seating line, to comprise side, arm, and barstools, all with brass ferrules that create the illusion that the structure is on its tippy toes.

H Contract’s Parker dining chair features a multifunctional design that lends itself for use beyond dining rooms. Its stylish body is constructed with solid European Beech wood, and includes a commercial-grade fabric cover, as well as a contract-grade durable finish.

Composed of a chair, armchair, and stool, et al’s Classy collection is gently modeled to ensure the highest standards of comfort and ergonomics. The shape has a light appearance, while matte and glossy surfaces provide contrast.

Pedrali’s Remind chair shows off the soft, sinuous curves of wooden chairs of the late 19th century. Made from a monoblock of injection-molded polypropylene, the seat and backrest contribute to the airy, lightweight appearance.

Decade, Blu Dot’s first injection-molded plastic chair, is a simple one-piece stackable option that boasts a timeless and elegant design while still remaining functional.

HBF is relaunching the Gubi Beetle chair with a newly strengthened shell to better withstand the wear and tear of commercial environments while maintaining its original clean, curved lines.

Designed in Italy, Sandler Seating’s Snap is constructed with a tubular steel frame and a polypropylene seat back and armrests, the latter of which are optional. The stackable chair is available in a wide range of contemporary colors.

Named after the Spanish word for bull, OKHA’s Toro dining chair is made of carbon-stained ash with a subtle satin finish. Upholstered in a dense, dark velvet, the color resembles an animal hide, while the sculpted arms represent horns.

Suspension is the main characteristic of Turri’s Zenit collection, as evidenced by the thin lacquered metal legs on the chairs. The structure is covered in leather with back and seat cushions done in either fabric or leather.

Made from industrial waste, Magis’ stackable Bell chair is 100 percent recyclable. Designed by Konstantin Grcic, the chair’s recycled polypropylene construction makes it light and more energy efficient, while its shell shape and bulbous geometry retain its strength and comfort.

Scandinavian and Italian design meet in Minotti’s Fynn chair, which recalls fine cabinetry in the wooden elements and sophisticated upholstery with fabric or saddle-hide. The elongated, slightly curved armrest is handmade and smooth to the touch.

Walters’ Teserra features a seamless seat and black sling. The weather-resistant Batyline mesh adds comfort in lieu of cushions or bolsters, while teak grain details contrast polished hardware.